Remando en polisíndeton

"Me acuerdo de ti" (Robe Iniesta)



Mostrando entradas con la etiqueta 00 HOMENAJES / HOMAGES. Mostrar todas las entradas
Mostrando entradas con la etiqueta 00 HOMENAJES / HOMAGES. Mostrar todas las entradas

viernes, 27 de agosto de 2010

ELEGÍA A MI PERRO/ ELEGY FOR MY DOG



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Una mañana de hace doce años, llevé a mi perro, ya ciego, sordo y prácticamente inmóvil, a que sintiera el campo y la naturaleza, el mundo que a él le gustaba, por última vez. Tuve que sacarlo del coche en brazos. Luego fui al veterinario, que lo durmió con una inyección para la eternidad. 

Murió en Madrid, pero había nacido en Vizcaya. Nada más nacer lo abandonaron junto a sus hermanos en un cajón, en la calle.

Durante varios años paseé con él junto a los acantilados del Cantábrico. Fue mi hermano, y mi maestro en tantas cosas...


Elegía
                                       A mi perro (1981-1998)

Amanece cantábrico en Madrid
y erizos de llantén ladran al viento
Campas entxokolatadas
lluvias de tamboril rasgan mi aliento

Hoy pasearé por los acantilados
que el Manzanares descubre en días de luto
y te recordaré
rastreando los secretos de tu embrujo

Hube de rescatarte de esta vida
la muerte claudicaba ante tu fuerza
colmillo ensimismado
nobleza vagabunda de esta tierra

Temblarán esta noche las estrellas
del aullido solemne y reverente
que te dedicarán
los perros de otros mundos y los de este

Y yo saldré al balcón a despedirte
vestido con sonrisa de farero
mirada de guitarra
y mi adiós en la copa del sombrero 

Américo Virus, Madrid, 25may98

On a morning, twelve years ago, I took my dog out to the countryside, the place he liked the most, for his last time. He was blind, deaf and almost couldn’t move at all. I had to take him out from the car in my arms. Then I went to the veterinarian, who gave him an injection to sleep forever.
He died in Madrid but he was raised in Biscay, in the Basque Country. When he was born, he was abandoned with his siblings inside a crate, in the street.
Everyday I walked with him along the cliffs of the Cantabric sea. He was my brother, and my teacher in so many things...


Elegy for my dog

To my dog (Biscay, 1981 – Madrid, 1998)

Day dawns Cantabric in Madrid
Weed hedgehogs barking at the wind
Prairies of chocolate parties
Drumming rains tearing my breath

Today I'll walk along the cliffs
That River Manzanares on mourning days uncovers
Tracing the secrets of your spell
I will celebrate your memory

I had to rescue you from this life
Death was giving in to your strength
You, stubborn canine
Stray nobility of this Earth

Tonight the stars will shiver
At the howls
Reverent and solemn
That dogs from this world and the others
Will dedicate to you

And I will come out to the balcony
To pay my last respects
Dressed with lighthouse keeper smile
Guitar gaze
And with my top hat waving you goodbye

Americo Virus, 25may1998

jueves, 26 de agosto de 2010

IAN CURTIS - IN MEMORIAM


Some months ago I posted an entry to pay homage to Ian Curtis, leader and voice, singer and writer, of Joy Division, who committed suicide 30 years ago, on May 18th, 1980.

I accidentally “suicided” the entry. I post it again.

It’s my favourite song of Joy Division. It’s called “Shadowplay”.

What do I like about Ian and Joy Division? I only really like 5-6 songs of the band. And I feel deep sorrow for a talented guy who kills himself at 23. But I admire the consistency from the beginning to the end of the narrative of the story of the band.

I may compare it with the consistency of the story of The Beatles. Both are perfect (From Latin "perfectum": complete, finished) stories. That’s the beauty of them.

I’ll explain myself. The Beatles’ is a story about love, theme of most of their songs, that ended like a fairy tale, with a song called “The End” (“And in the end, the love you take is equal to the love you make”).


Joy Division’s is its tragic reverse. Their (his, Ian’s) songs talked about despair, frustration and inner death. And their (his) story ended with an album called “Closer” — Closer to what? Closer to death, as suggested by the picture on the cover, chosen by the band, (by Curtis?): the photograph of a tomb, where you see a man lying dead, and four women crying, holding his wake; and a story that ends with Ian’s suicide.

Victory of love vs. Failure of love.

But same authenticity ‘til the end to perform their stories. Same perfection, form and content together. Same beauty.


viernes, 23 de enero de 2009

"Padre e hijo" (Los Khermuses de Assilah, en el cenotafio de Khermús padre)





Fotos: AV. Arriba: Padre e hijo; Medio: Cenotafio de Khermús; Abajo: Hijo.

Khermús murió en 2007. A finales. Mientras dormía la siesta. Inesperadamente. Su hijo estaba a punto de nacer. No llegó a conocerlo. Enterramos las cenizas de Khermús en el mar de Assilah (Marruecos), en un lugar llamado Los Acantilados. Estas son fotos de su cenotafio.
¡Tapug diegma!